Artist Triana Obregón invites us to explore her experience living in the wild and lush green landscape of the French Basque Country. Accustomed to clear cycles and dry ochre summers, Obregón found herself surrounded by a nature that profoundly influenced her creative process. Fallen leaves, organic forms, natural pigments and plant spheres such as cinnamon, shade plantain and dandelions became essential elements in her paintings, although they were already part of her imaginary.
 

Obregón asks us whether learning to observe means making a synthesis between the matter that composes us and what we select from our environment to return it to the exterior. In her works, circular forms are integrated and concealed with rectangular and organic shapes, nature being the last and most valuable component, creating what she calls 'the wild impression'.
 

Working with hard but flexible linen papers, Obregón transgresses two-dimensionality in a natural way, exploring contradictions similar to those of the environment in which she found herself. Each work is a dialogue that seeks a balance between opposites, connecting matter and plastic through abstraction en plein air, in a journey towards the primitive
 

Obregón reminds us that painting is impression and trace, and nature is support, sustenance and object, just as art is for the artist.