Triana Obregon

"Chromatic Genesis: A Metamorphosis in Pigment and Presence"

In this avant-garde exploration of artistic evolution, we witness the emergence of a visionary creator whose journey transcends traditional boundaries. From the primal spark of watercolors and bovine silhouettes etched by familial hands, to the alchemical fusion of classical techniques and digital-age innovation, this artist's trajectory is a testament to the enduring power of artistic metamorphosis.

The narrative unfolds like a triptych of experiential canvases:

Panel I: "Foundational Pigments" Steeped in the rich traditions of Sevillian artistry, our protagonist's formative years are a chiaroscuro of intense academic rigor and raw creative passion. The visceral engagement with live models and anatomical studies forms the underpinning of a practice that defies the ephemeral nature of our pixelated era.

Panel II: "Parisian Prism" The City of Light becomes a crucible for artistic transmutation. Here, the artist's vision fragments and reassembles through the lenses of photography and performance, expanding into the realm of media art. This period is marked by a synaesthetic blend of curatorial insight and personal expression, catalyzing exhibitions that reverberate through the Parisian art scene.

Panel III: "Autobiographical Abstractions" The most recent phase of this artistic odyssey is characterized by a bold fusion of the personal and the universal. The "wild print" series emerges as a primal scream of pure pigment, where organic matter becomes both medium and muse. Leaves, seeds, and fruits dance across linen landscapes, their impressions a testament to the artist's embrace of creative anarchy and structured chaos.

In the crucible of the "Atelier an der Donau" symposium, this evolving practice finds recognition, securing the third prize and igniting a new phase of exploration. The interplay between abstraction and figuration becomes a dialectic of the wild and the measured, a visual philosophy that probes the liminal spaces of artistic expression.

This body of work stands as a living, breathing entity – autobiographical in essence, yet universal in its appeal. It challenges viewers to engage with the raw energy of creation, inviting them into a world where every brushstroke, every imprint, every spray of pigment is a deliberate act of self-revelation and artistic revolution.

As we stand on the precipice of 2025, this artist's journey continues to unfold, promising further innovations in the dialogue between form and formlessness, tradition and rebellion, the measured and the wild. It is a testament to the enduring power of art to transform not just the canvas, but the very soul of both creator and observer.

There are no borders. The truth is first found in the roots. Magic exists. Women in the art world have red hair. Fire heals. I am a blue bull. Painting and color give me strength. We are archetypes. All are cosmogonies. "I like to be polite but I also like to be wild" Sol, five years old. The essence of art is movement, but not backwards. Sonja is a living portrait of Klimt. Klint, Hilma fed me for a long time.